Why does alice become a
Alice turns to the Red Queen, whom she considers responsible for the chaos, and grabs her. The Red Queen shrinks down to the size of a doll and Alice begins shaking her. Alice realizes that she has woken up.
She scolds Kitty for waking her up and then grabs the small Red Queen off of the nearby chess table, trying to get Kitty to admit that she had transformed into the Red Queen. Alice addresses Snowdrop, stating her suspicion that the white kitten is the White Queen.
She turns back to Kitty and tells her all about the fish-themed poetry she heard in her dream. The chess motif becomes highly pronounced in this chapter, and the various movements of the pieces signify the conclusion of the game.
As Alice becomes Queen, the movements and positions of the individual pieces become clear. Flanked by both queens, Alice can see the entire chessboard. As she sits at the head of the table in her castle, all of the guests stretched out before her represent the other chess pieces. Now that the game has ended, Alice wakes up from her dream and finds herself holding Kitty.
Alice resists this flattening, which manifests itself literally when the guests at the table become stuck to their plates.
Alice rises to give thanks and in doing so becomes three-dimensional, setting off the chaos that allows her to seize the Red Queen and end the chess match. SparkTeach Teacher's Handbook. Whether it was more awkward for him or her he did not say. The fictional Alice, on the other hand, was a girl he could keep close without any fear of her leaving him behind.
As with his photographs, his stories were sealed environments in which little girls could stay little. Over the next 30 years, Carroll experimented with this idea in various ways. The fictional Alice was now seven and a half, as she tells Humpty Dumpty, meaning that in the six years that had passed since her last appearance, she had aged only six months. In , he collaborated on a theatrical version, which brought Alice to life on the stage, but also allowed her to be replaced whenever she grew too old.
Carroll was not alone in wondering whether his heroine would always remain the same. His original stories continued to be the standard against which all successors would be measured, but alongside the original Alice there was now a growing army of Alice-alikes.
Together these fictional offspring created the curious phenomenon of a literary figure who was becoming more complex not within a single work, by revealing more with each turn of the page, but by generating extra versions of herself. Already any clear distinction between the two Alice books had started to dissolve, and Wonderland was widely assumed to include both territories, forming a Greater Wonderland, or Onederland, in the public imagination. Soon it had spawned a whole galaxy of literary rivals, as modern Alices busied themselves exploring Blunderland, Pictureland, Merryland, Emblemland, Monsterland, Motorland, Thunderland, Plunderland, Rainbowland, Justnowland, and, in a rare concession to realism, Cambridge.
Some spiritualists tried to argue that ghosts were drifting around in a posthumous Wonderland of their own. Even Sir Arthur Conan Doyle , who published a set of photographs in of two girls from the Yorkshire village of Cottingley, alongside what they claimed were frolicking fairies, felt the need to rename one of the girls Alice, as if the real Wonderland was the invisible world that surrounded us every day.
For most of the action, the Alice books remain in the background, like the steady grumbling of the guns; only occasionally do they flare into life to remind the audience that they have been there all along. The night before a planned raid on the German lines, the officer Osborne takes a small leather-bound copy of the story from his pocket and starts to read. Initially it appears to be straightforward escapism, rather as he proposes that they avoid thinking about the busy worms in their trench by talking about croquet instead.
They are already living out a version of its mad logic. It turns out that not all underground adventures have a happy ending. Carroll had already shown how this could produce stories on the page; now Disney invited spectators to enjoy a contemporary alternative. Watching a cartoon was another way of dreaming while remaining awake.
While this alarmed many readers, it also created a new layer of the story for writers such as James Joyce to burrow into. It reminded readers that language was a jigsaw puzzle with an infinite number of solutions. Many of these have been created online, turning the computer screen into a modern looking glass through which it is possible to explore an entirely new WWWonderland. Themes Motifs Symbols. Important Quotes Explained. Mini Essays Suggested Essay Topics. Characters Alice. Popular pages: Through the Looking-Glass.
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